lives and works in New Albany, IN

Education

• Master of Fine Arts, Ohio University, 2010
• Bachelor of Fine Arts, Northern Arizona University, 2005
• Bachelor of Science, Art Education, Northern Arizona University, 2005

Solo and Two Person Exhibitions

• Tiffany Carbonneau, McGrath Gallery, Bellarmine University, Louisville, Kentucky, 2012 (solo exhibition)
• Collaborative Exhibition with Shawn Skabelund, Greiner Art Gallery, Hanover College, Madison, Indiana, 2012 (two person exhibition)
• Margins, Land of Tomorrow, Louisville, Kentucky, 2010 (solo exhibition)
• Transmittence: Reconsidering Landscape, Barr Gallery, Indiana University Southeast, New Albany, Indiana, 2010 (solo exhibition)
• Between Frame and Focus: MFA Thesis Exhibition, Majestic Gallery, Nelsonville, Ohio, 2010  (solo exhibition)  
• Deconstruction / Reconstruction: Paintings and Installation by Meredith Carr and Tiffany Carbonneau, Majestic Gallery, Nelsonville, Ohio, 2009 (two person exhibition)
• Tiffany Carbonneau: New Work, Mountain Oasis International Restaurant, Flagstaff, Arizona, 2004 (solo exhibition)

Group Exhibitions

• Currents 2011: Santa Fe International New Media Festival, Santa Fe, New Mexico, June, 2011
• Lumen: International Video Art and Performance Festival, presented by the Council on the Arts and Humanities for Staten Island, New York, New York, June, 2011
• Beacons: An Exhibition of Luminous Art, The Urban Institute of Contemporary Art, Grand Rapids, Michigan, 2011
• Z Channel, Zephyr Gallery, Louisville, Kentucky, 2011
• Asterisk at the Bridge, as part of Ingenuity Festival 2010, Cleveland, Ohio, 2010
• Toronto Urban Film Festival, screened on Toronto Transit System monitors and at The Drake Hotel, Toronto, Canada, 2010
• Letters, The LoDi Project, Raleigh, North Carolina, 2010
• Merge 2010, Sandusky Cultural Center, Sandusky, Ohio, 2010
• Artaxis: an Evolving Independent Network of Artists, Cheltenham Art Center, Cheltenham, Pennsylvania, 2010
• Merge, Fawick Gallery, Baldwin Wallace College, Berea, Ohio, 2009
• Inlight Richmond 2009, in conjunction with 1708 Gallery, Richmond, Virginia, 2009
• Terminal Degree, Asterisk Gallery, Cleveland, Ohio, 2009
• Simulcast, The Aesthetic Technologies Lab, Ohio University, Athens, Ohio, 2009
• A World So Full, Seigfred Gallery, Ohio University, Athens, Ohio, 2008
• Resident Exhibition, The International Ceramics Studio, Kecskemet, Hungary, 2008
• Composite: new works by Ohio University Faculty and graduate students, NCECA concurrent exhibition, Borelli Edwards Gallery, Pittsburgh, Pennsylvania, 2008
• Dualis, Grand Arts Center, Tracy, California, 2008
• (pre) sumptuous, Trisolini Gallery, Ohio University Baker Center, Athens, Ohio, 2008
• NCECA Clay National, Kentucky Museum of Art and Craft, Louisville, Kentucky, 2008
• Texas Biennial, Bolm Studios, Austin, Texas, 2008
• 125th Austin Independent School District Anniversary Teacher Art Show, The Hideout, Austin, Texas, 2007
• Suitcase Boogie Ceramic Art Invitational, Dreambox, Jupiter Hotel, Portland, Oregon, 2006
• Water, Office of the Dean of Arts and Letters, Northern Arizona University, 2005
• Tiffany Carbonneau: Tapped Out, Bachelor of Fine Arts Exhibition, Beasley Gallery, Northern, Arizona University, Flagstaff, Arizona, 2005
• Primary Colors: A Survey of Contemporary Craft in Red, Yellow and Blue National Competition, Artisans Center of Virginia, Waynesboro, Virginia, 2004
• Fine Art Student Juried Exhibition  Beasley Gallery, Northern Arizona University, Flagstaff, Arizona, Fall, 2004
• Fine Art Student Juried Exhibition Beasley Gallery, Northern Arizona University, Flagstaff, Arizona,  Spring, 2004
• Feminist Art: The Vagina Monologues, Cline Library, Northern Arizona University, Flagstaff, Arizona, 2003
• Fine Art Student Juried Exhibition, Beasley Gallery, Northern Arizona University, Flagstaff, Arizona, 2003
• Northern Arizona University Student Printmakers exhibition, Café Espress, Flagstaff, Arizona, 2003       
• Political Art, Cline Library, Northern Arizona University, Flagstaff, Arizona, 2003

Awards and Honors

• Artist Honorarium, Currents 2011 Santa Fe International New Media Festival, Santa Fe, New Mexico, 2011
• Creative Capital Professional Development Program grant (in association with Art Without Walls), 21c Museum, Louisville, Kentucky, 2010
• Artist Honorarium (for screening), Toronto Urban Film Festival, Toronto, Canada, 2010
• Artist Honorarium, 1708 Gallery, for Inlight Richmond, Richmond, Virginia, 2009
• Professional Activity Support Scholarship, College of Fine Arts, Ohio University, 2009
• Don Bendel Ceramics Scholarship, Northern Arizona University, 2004
• Best of Show in Ceramics, Juried Exhibition, Beasley Gallery, Northern Arizona University, 2004
• Travel Grant, Old Main Art Museum, Northern Arizona University, 2004
• Travel Grant, Associated Students Northern Arizona University, 2004
• Travel Grant, Old Main Art Museum, Northern Arizona University, 2003

Public Collections and Lectures

• 21c Museum, Louisville, Kentucky
• University of Louisville, Advanced Photography, 2011
• National Council on the Education of Ceramic Art Graduate Student Slide Forum, Pittsburgh, Pennsylvania, 2008
• Baylor University, Waco, Texas, 2007
• Kingsborough Community College, City University of New York, Brooklyn, New York, 2005

Bibliography

• Beck, Dylan; SuperModernity, Emergence, and the Built Environment: Reinterpreting the Human-Made Landscape, Ceramics Art and Perception, Issue 80, 2010
• Tiffany Carbonneau, video artist (One Question Feature), The Louisville Courier-Journal (Arts Section), Sunday, September 19^th, 2010
• Triplett, Jo Anne; Reconsidering Landscape (Staff Picks), Leo Weekly, September 15^th, 2010
• Russo, Tim; Tiffany Carbonneau Shines at Asterisk Gallery’s OU Grad Show, www.blackheartcleveland.com, October 10, 2009
• Welch, Adam; NCECA Biennial: Reconsidering Exhibition Practice, Ceramics Art and Perception, Issue 70., 2007
• Castillo, Salvador and Nikki Moore, 2007 Texas Biennial, Bolm Studios, The Austin Chronicle, Vol. 26, No. 32, April 13, 2007
• Mulvany, John; Texas Biennial 2007: Bolm Studios, Cantanker Magazine, No. 3, 2007.
• Catalog: NCECA Clay National 2007
• Catalog: Texas Biennial 2007
• Kim Lincoln with Pam Stephens; Tapping In to Tapped Out: Thinking about Conceptual Art, School Arts Magazine: October 2005